(2012) “Ill Manors” by Plan B samples “Alles Neu” by Peter Fox (2007) including the motif from Shostakovich Symphony No. 7
(2012) “Ti penso e cambia il mondo” by Adriano Celentano, based on Chopin‘s Prelude Op. 28 No. 20
See also: 2010s in music
(2008) “The Greatest Man That Ever Lived” by Weezer is a variation on “Simple Gifts” (one of the most famous arrangements is Appalachian Springs by Copland)
(2008) “River of Dreams” by Hayley Westenra is based on the second movement (Largo) of Vivaldi‘s “Concerto No. 4 in F minor – Winter”.
(2007) “Alles Neu” by Peter Fox – uses Cello line from 4th Movement of Shostakovich Symphony No 7
(2007) “The Second Coming” by Juelz Santana – samples the Gregorian chant Dies Irae.
(2007) “Grace Kelly” by Mika – Mika has admitted that he borrowed the main harmony from Figaro’s famous aria Largo al factotum in the opera The Barber of Seville by Gioachino Rossini.  
(2006) “Amies-ennemies” by Nâdiya is based on FrĂ©dĂ©ric Chopin‘s Waltz Op. 64, No. 2
(2006) “Lacrymosa” by Evanescence is based on the Lacrimosa movement from Mozart’s Requiem.
(2005) “Sweet Dream” by South Korean girl group RedSox is based on Pachelbel’s Canon
(2005) “Road to Joy” by Bright Eyes is based on the melody of Beethoven‘s Ode to Joy.
(2005) “Adagio for Strings” by TiĂ«sto is a trance arrangement of “Adagio for Strings”.  
(2005) “They” by Jem is based on Bach’s Prelude in F minor (BWV 881).
(2003) “Jupiter” by Ayaka Hirahara – based on Holst’s The Planets.
(2003) “I Can” by Nas – samples the theme from Ludwig van Beethoven‘s FĂĽr Elise.
(2002) “Remember” by S.H.E – based on Tchaikovsky’s Swan Lake.
(2001) “Forever” by American power metal band Kamelot -the chorus is based on Solveig’s Lied from Peer Gynt by Edvard Grieg
(2001) “Crack City Rockers” by Leftöver Crack – features a keyboard intro/interlude from previous track (Stop the Insanity) of Johann Pachelbel’s “Canon in D Major” and it’s chord structure is loosely based on the melody.
(2001) “Loving You Girl” by Norwegian band Opus X – based on Johann Pachelbel’s Canon in D Major.
(2001) “Piano & I” by Alicia Keys – samples Ludwig van Beethoven’s “Moonlight Sonata”.
(2001) “Yatta” by Happa-tai – based on Johann Pachelbel’s Canon in D Major.
(2000) Beethoven’s Last Night by Trans-Siberian Orchestra – based on classical music, in particular, Beethoven.
(2000) “Graduation (Friends Forever)” by Vitamin C – based on Johann Pachelbel’s Canon in D Major.
See also: 2000s in music
(1999) “Love of My Life” by Dave Matthews and Carlos Santana on the Supernatural album. Main theme is a nearly literal quotation of a theme in the 3rd symphony of Johannes Brahms, with some rhythmic changes.
(1999) “Barber’s Adagio for Strings” by William Orbit – a techno/electronic version of Samuel Barber‘s “Adagio for Strings
(1998) “Dear Mother” by South Korean band G.O.D uses chord progression based on Pachelbel’s Canon in D.
(1998) “Everything’s Gonna Be Alright” by Sweetbox – based on Bach’s Air on the G string.
(1998) “The elephant never forgets” by Jean-Jacques Perrey – based on Beethoven’s Die Ruinen von Athen.
(1998) “Ocean of Light” by In-mood feat. Juliette – based on ‘Morning’ from the Peer Gynt suite by Grieg.
(1998) “Christmas Canon” by the Trans-Siberian Orchestra – based on Johann Pachelbel’s Canon in D Major.
(1998) “Prince Igor” by Warren G feat. Sissel – based on Alexander Borodin’s ‘Polovtsian dances’ from the opera ‘Prince Igor’ (1890).
(1997) The start of “Insane in the membrane” by Cypress Hill starts with a looped theme of the prelude in c minor for Lute by Johann Sebastian Bach.
(1997) “Exit Music (For a Film) ” by Radiohead – though claimed, is not based on Fryderyk Chopin ‘s ‘Prelude no. 4 in E minor.
(1997) “C U When U Get There” by Coolio – based on Johann Pachelbel’s Canon in D Major.
(1996) “Don’t Look Back in Anger” by Oasis – chorus chord progression borrows from Johann Pachelbel’s Canon in D Major.
(1995) “Memory” by Savatage – uses Beethoven‘s Symphony No. 9
(1994) “Basket Case” by Green Day  
(1994) Hook (song) by Blues Traveler. The choddrd progression is loosely based on Pachelbel’s Canon in D.
(1993) “Go West” by the Pet Shop Boys, emphasised the original 1979 Village People version’s chord progression from Johann Pachelbel‘s Canon in D Major
(1991) “World in Union“, the official theme song of the Rugby (Union) World Cup, based on a segment of “Jupiter, The Bringer of Jollity” from Holst’s The Planets
(1991) “Mea Culpa (Part II)” by Enigma samples the Kyrie eleison from Mass XI (Orbis Factor) in the Liber usualis.
(1991) “Decomposing Composers” by Monty Python from Monty Python Sings based on Johann Pachelbel’s Canon in D; the end of the song is a mashup of most of the composers mentioned in the lyrics of the song.
(1990) “All Together Now” by The Farm uses the chord progression from Johann Pachelbel‘s Canon in D Major
See also: 1990s in music
(1988) “The Fallen Priest” from Barcelona by Freddie Mercury based on Rachmaninoff‘s Piano Concerto No. 2
(1986) “Music of the Night” from Phantom of the Opera by Andrew Lloyd-Webber based on Puccini‘s “La Fanciulla del West
(1986) “Crimes of Passion” by Rick Wakeman (film soundtrack) – utilizes multiple themes from Dvorak‘s Symphony No. 9 (For the New World)
(1986) “Mars” by Emerson, Lake & Powell – arrangement of Mars: Bringer of War from Holst‘s The Planets
(1985) “Russians” by Sting – arrangement of the Romance in Lieutenant KijĂ© from Sergei Prokofiev
(1985) “Lemon Incest” by Serge Gainsbourg – based on Chopin’s Étude Op. 10, No. 3 in E major
(1984) “Étude” by Mike Oldfield – “Étude” is taken from the Francisco Tárrega piece “Recuerdos de la Alhambra“.
(1984) “Forever Young” by Alphaville – uses Pachelbel‘s Canon in D Major
1983 “Baby Alone in Babylone” sung by Jane Birkin (written by Serge Gainsbourg) based on the 3rd movement from the 3rd Symphony (Poco Allegretto) in F of Johannes Brahms.
(1983) “This Night” by Billy Joel – uses Beethoven‘s Pathetique Sonata as the basis for the chorus
(1982) “The Mystery of Love”, Donna Summer, uses BWV 847 – J.S.Bach Well-Tempered Clavier, Book 1: Prelude and Fugue No. 2 in C minor. The introduction and verse of the Donna Summer song is based on the Prelude.
(1982) “Midnight Blue (Louise Tucker song)” by Louise Tucker and Charlie Skarbek – uses Beethoven‘s Pathetique Sonata
(1981) “Same Old Lang Syne” by Dan Fogelberg – uses Peter Tchaikovsky‘s 1812 Overture
(1981) “Difficult to Cure” by Rainbow – uses Beethoven‘s Symphony No. 9
(1979) Lady Lynda by Alan Jardine and Ron Altbach for The Beach Boys – based on Johann Sebastian Bach‘s Jesu, Joy of Man’s Desiring
(1977) If I Had Words by Scott Fitzgerald and Yvonne Keeley – based on Saint-Saens Symphony No.3 in C minor (Organ Symphony)
(1977) “The Enemy God Dances with the Black Spirits” by Emerson, Lake and Palmer an excerpt of the 2nd movement of “The Scythian Suite” by Sergei Prokofiev
(1976) “Night on Disco Mountain” by David Shiredisco version of Modest Mussorgsky‘s Night on Bald Mountain, featured in Saturday Night Fever
(1976) “A Fifth of Beethoven” by Walter Murphy – disco version of Beethoven’s Fifth Symphony, featured in Saturday Night Fever
(1976) “Great Expectations” by Kiss – uses Beethoven‘s Pathetique Sonata
(1975) “Could It Be Magic” by Barry Manilow – inspired by Chopin’s Prelude In C Minor (Prelude #20: Largo)
(1975) “All by Myself” by Eric Carmen – borrows heavily from Rachmaninoff’s Piano Concerto No. 2 in C minor. Same year, Carmen’s “Never Gonna Fall in Love Again” borrows from the Adagio of Rachmaninoff’s Symphony No. 2
(1975) “Take my heart” by Jacky James — romantic pop, huge success in Brazil, based on “In a Persian Market” by Albert Ketelbey.
(1974) “I Believe in Father Christmas by Greg Lake and Peter Sinfield — The instrumental riff between verses comes from the “Troika” portion of Sergei Prokofiev’s Lieutenant KijĂ© Suite written for a 1934 Soviet film, Poruchik Kizhe.
(1973) “American Tune” by Paul Simon — based on Johann Sebastian Bach‘s St. Matthew Passion.
(1973) Joybringer by Manfred Mann’s Earth Band – based on Gustav Holst’s Jupiter
(1972) Pictures at an Exhibition by Emerson, Lake and Palmer – entire album based on the work by Modest Mussorgsky, with two original pieces (“The Sage” and “The Curse of Baba Yaga”), and a live cover of “Nut Rocker” featuring Clavinet
(1972) “Joy” by Apollo 100 – based on J.S. Bach‘s Jesu, Joy of Man’s Desiring
(1972) “Also Sprach Zarathustra” by Deodato – a funk arrangement of Richard Strauss’ composition of the same name
(1969) “Day Dream” by The Wallace Collection (band), chorus based on Swan Lake by Pyotr Ilyich Tchaikovsky.
(1969) “BourĂ©e” by Jethro Tull (band), a progressive rock arrangement of BourrĂ©e in E minor by Johann Sebastian Bach
(1969) “Mars: The Bringer of War” by King Crimson on Epitaph – a progressive rock arrangement of Mars, from the The Planets suite by Gustav Holst
(1969) “Jane B.” by Jane Birkin and Serge Gainsbourg based on Chopin’s Prelude Op. 28, No. 4 in E minor.
(1968) “Please Don’t Go” by Donald Peers based on the Barcarolle from “The Tales of Hoffman” by Offenbach.
(1968) “Rain and Tears” by Aphrodite’s Child based on Johann Pachelbel’s Canon in D Major. Featured in the 2005 movie Three Times.
(1967) “Invocation & Ritual Dance of the Young Pumpkin” by Frank Zappa on Side 1 of his album Absolutely Free quotes from “Jupiter, the Bringer of Jollity” by Gustav Holst from his suite “The Planets”.
(1967) “Schroeder” in the stage musical You’re a Good Man, Charlie Brown – based on Beethoven‘s “Moonlight Sonata“.
(1967) “A Whiter Shade of Pale” by Procol Harum – (loosely) based on J.S. Bach‘s Orchestral Suite No. 3, Air (commonly known as Air on a G String) and Cantata 140 “Sleepers Awake”.
(1966) Fabrizio De AndrĂ© “Canzone dell’amore perduto” is heavily based on “Trumpet Concert in D ” by George Philip Telemann
(1966) The Move “Night of Fear” based on Tchaikovsky’s 1812 Overture
(1966) The Shangri-Las ” ((Past, Present and Future)) based on (Ludwig Van Beethoven) moonlight sonata.
(1965) Diane and Annita’s “A Groovy Kind of Love” is heavily based on the Rondo movement of Sonatina in G major, op. 36 no. 5 by Muzio Clementi.
(1965) “A Lover’s Concerto” by The Toys – based on J.S. Bach‘s Notebook for Anna Magdalena Bach“.
(1963) “Hello Mudduh, Hello Fadduh! (A Letter From Camp)” by Allan Sherman – based on Ponchielli‘s “Dance of the Hours” from La Gioconda.
(1963) “Just Let Me Cry” By Lesley Gore based on (Nikolaj Rimski-Korsakov) Sadko (opera)
(1963) “Today, Tomorrow, and Forever” by Elvis Presley, based on Liebesträume by Franz Liszt.
(1962) “Nut Rocker” by B. Bumble and the Stingers, based on Tchaikovsky‘s “March of the Toy Soldiers” from his ballet The Nutcracker.
(1962) “Like I Do” by Nancy Sinatra and later covered by Maureen Evans. Based on Ponchielli‘s “Dance of the Hours” from La Gioconda.
(1961) “Can’t Help Falling in Love” by Elvis Presley, based “Plaisir d’amour” (1784) by J.P.E. Martini
(1960) “It’s Now Or Never” by Elvis Presley – also based on ‘O Sole Mio.
(1959) “Don’t You Know” by Della Reese – based on “Musetta’s Waltz” from Puccini’s La Boheme
(1959) “Once Upon a Dream” in the Disney movie Sleeping Beauty – based upon a waltz in Tchaikovsky‘s ballet Sleeping Beauty.
(1958) “Catch a Falling Star” by Lee Pockriss and Paul Vance – based on a theme from BrahmsAcademic Festival Overture
(1956) “Hot Diggity (Dog Ziggity Boom)” by Al Hoffman and Dick Manning – based on a theme from Chabrier España, Rhapsody for Orchestra
(1953) “Stranger in Paradise” by George Forrest and Robert Wright, in the Broadway musical Kismet – based on a theme from Alexander Borodin‘s Polovetsian Dances. Also in Kismet, the second movement of Borodin’s String Quartet No. 2 which became “Baubles, Bangles, and Beads”.
(1952) “The Bigger The Figure”, by Louis Prima – based on Rossini‘s Largo al factotum from The Barber of Seville.
(1950) “No Other Love” by Jo Stafford. The music credited to Paul Weston but is actually derived from FrĂ©dĂ©ric Chopin’s Étude No. 3 in E, Op. 10.
(1949) “There’s No Tomorrow,” lyrics by Al Hoffman, Leo Corday and Leon Carr, popularized by Tony Martin, based on O Sole Mio by Eduardo di Capua.
(1946) “Summer Moon” by Klenner, sung by Lauritz Melchior – based on Igor Stravinsky‘s The Firebird (Ronde des princesses)
(1945) “Till the End of Time,” words by Buddy Kaye and Ted Mossman, popularized by, among others, Perry Como – based on FrĂ©dĂ©ric Chopin‘s “Polonaise In A Flat”
(1945) “Full Moon and Empty Arms“, by Buddy Kaye and Ted Mossman – based on Sergei Rachmaninoff‘s Piano Concerto No. 2.
(1943) “None But The Lonely Heart“, by Tchaikovsky from six romances for voice and piano, Op. 6, sung by Sinatra in The Columbia Years 1943–1952: The Complete Recordings
(1942) “If You Are But a Dream“, by Moe Jaffe, Jack Fulton, and Nat Bonx – based on Anton Rubinstein‘s “Romance in E flat, Op. 44,No. 1”
(1941) “The Things I Love” by Harold Barlow and Lewis Harris based on Tchaikovsky’s Melody, Opus 42, No. 3 (from Souvenir d’un lieu cher for Violin & Piano)
(1941) “Tonight We Love”, by Caterina Valente– based on Tchaikovsky‘s Piano Concerto No 1 in B-Flat Minor, Op.23
(1939) “Moon Love” by Mack David, Mack Davis and Andre Kostelanetz based on the theme for French horn in the second movement of Tchaikovsky’s Fifth Symphony, recorded by Sinatra in 1939 with Harry James Orchestra and again in 1966 on the album Moonlight Sinatra
(1939) “Our Love” – (lyrics by Buddy Bernier and Bob Emmerich) was adapted by bandleader Larry Clinton from the main theme of the overture to “Romeo and Juliet” by Tchaikovsky, and recorded by Clinton and by Jimmy Dorsey.
(1939) “The Lamp is Low” – Peter DeRose and Bert Shefter – based on Maurice Ravel‘s Pavane pour une infante dĂ©funte
(1938) “My Reverie” by Larry Clinton – based on Debussy‘s RĂŞverie
(1937) “Song of India”, arr. Tommy Dorsey – based on “The Song of the Indian Guest” from Rimsky-Korsakov‘s Sadko.
(1930) “In an Eighteenth-Century Drawing Room” by Raymond Scott – based on Mozart‘s Piano Sonata, K. 545
(1928) “Lover, come back to me” in The New Moon by Sigmund Romberg – the middle section is based on “June: Barcarolle” from Tchaikovsky‘s The Seasons, opus 37b.
(1922) “Goin’ Home” popularized by Paul Robeson – based on the “Largo” from Dvořák‘s Symphony No. 9, “From the New World”
(1919) “Peter Gink” by George L. Cobb – based on the Peer Gynt Suite by Edvard Grieg.
(1919) “The Marine Hymn” by L. Z. Philips – based on the Gendarmes’ Duet from Jacques Offenbach‘s opera Genevieve de Brabant
(1918) “I’m Always Chasing Rainbows” by Joseph McCarthy and Harry Carroll – based on the Fantasie Impromptu in C Sharp Minor by FrĂ©dĂ©ric Chopin.
(1913) “Hungarian Rag” by Julius Lenzberg – based on the Second Hungarian Rhapsody by Franz Liszt.
(1891) “O Promise Me” by Reginald DeKoven & Smith, from the musical Robin Hood — based on Musica proibita, the name popularly given to an aria in the 1888 Italian opera Mala Pasqua by Stanislao Gastaldon.


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